The greatest works do not judge the mother as good or bad. They reveal her as the first reader of the son’s story, the first audience for his performance of masculinity. Whether she applauds or boos, she is there. And the son spends the rest of his life trying either to prove her right or to silence her ghost.
In the phase (early to mid-adulthood), the son either repeats his mother’s patterns (marrying a controlling woman) or rejects them wholesale (becoming emotionally unavailable). Cinema loves this phase because it is dramatic. The son yells at the mother; the mother weeps; the audience understands both. www incezt net real mom son 1 cracked
In the phase (childhood to young adulthood), the son must differentiate his identity from his mother’s desires. This is the Bildungsroman model—think of Stephen Dedalus in A Portrait of the Artist as a Young Man , who must reject his mother’s pious Catholicism to become an artist. The pain is real. The son feels like a traitor. The greatest works do not judge the mother as good or bad