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However, the most persistent speculation involved . The duo starred in several blockbusters like Poonthotta Kaavalkaaran and Ullathil Allitha . Industry insiders of the time noted Sukanya’s protective nature towards the "Captain," and how she refused to do glamorous scenes outside their professional commitment. Sukanya never breathed a word about this, and Vijayakanth remained publicly cordial. Whether this was a case of unrequited admiration or a private pact, it remains the "what if" of Tamil cinema. The Reality: Marriage and Divorce Unlike her ambiguous reel romances, Sukanya’s real life took a definitive turn in 1997. She married a businessman from Chennai, A. Duraimurugan . At the time, it was celebrated as a fairy-tale ending for an actress who had played a bride so many times on screen. The couple had a son, and Sukanya gracefully exited the film industry.

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But fairy tales fade. After several years of separation, the marriage ended in a low-key divorce. In a rare interview post-2000, Sukanya hinted at the difficulty of adjusting to civilian life after the spotlight. "When you play romantic heroines, you expect life to imitate art. But art is rehearsed; life is not," she said cryptically. However, the most persistent speculation involved

Her romantic storylines were unique because they weren't just about desire; they were about duty , sacrifice , and social realism . She rarely played the glamorous doll; she played the daughter, the sister, the wife, and the lover with equal gravitas. Sukanya never breathed a word about this, and

In the pantheon of Tamil cinema’s golden era of the 1980s and 1990s, few names evoke as much nostalgia as Sukanya . While the industry was dominated by towering heroes, Sukanya carved a unique niche for herself. She wasn't just a "heroine" in the traditional sense of dancing around trees; she was an actor. From playing the quintessential village girl to the urban, suffering wife, her filmography is a tapestry of complex emotional roles.