Anton Tubero Indie Film Top -
A teenager finds an encrypted hard drive in a dumpster behind a NYC bodega. Instead of turning it into the police, he uses the data to blackmail local slumlords.
A non-linear narrative following a taxi driver in New Orleans over the course of three hurricanes. We see the same conversations repeat with different passengers, slowly revealing the driver’s own grief over a daughter who vanished into the floodwaters years ago.
Critics often compare him to the Dardennes brothers meets Kelly Reichardt, but with a Latin rhythm that feels distinctly American. He is currently in pre-production for Flood Year , a historical drama about the 1927 Mississippi flood, with a reported budget of $15 million—his first "big" budget. Fans worry that "commercial Tubero" might lose the magic.
Tubero experiments with time here in a way he never has before. The use of a looping score (composed by indie legend Arthur Beem) creates a hypnotic, claustrophobic dread. The final five minutes—a silent shot of the driver cleaning his taxi at dawn—will leave you staring at a blank screen.
If you have recently searched for the term , you are likely trying to navigate where to start with this prolific director or looking to argue with fellow cinephiles about which of his micro-budget masterpieces reigns supreme.
The roughness is the point. The audio sometimes glitches. The actors weren't professionals; Tubero hired local teenagers. This film established his signature "found footage humanism." It is chaotic, angry, and beautiful. It answers the question: What if Harmony Korine directed The Social Network on a bus pass budget? 3. The Passenger’s Seat (2021) – The Emotional Gut Punch If Rust Belt Requiem is his most accessible, The Passenger’s Seat is his most devastating. Many fans argue this should be the number one slot.
A teenager finds an encrypted hard drive in a dumpster behind a NYC bodega. Instead of turning it into the police, he uses the data to blackmail local slumlords.
A non-linear narrative following a taxi driver in New Orleans over the course of three hurricanes. We see the same conversations repeat with different passengers, slowly revealing the driver’s own grief over a daughter who vanished into the floodwaters years ago.
Critics often compare him to the Dardennes brothers meets Kelly Reichardt, but with a Latin rhythm that feels distinctly American. He is currently in pre-production for Flood Year , a historical drama about the 1927 Mississippi flood, with a reported budget of $15 million—his first "big" budget. Fans worry that "commercial Tubero" might lose the magic.
Tubero experiments with time here in a way he never has before. The use of a looping score (composed by indie legend Arthur Beem) creates a hypnotic, claustrophobic dread. The final five minutes—a silent shot of the driver cleaning his taxi at dawn—will leave you staring at a blank screen.
If you have recently searched for the term , you are likely trying to navigate where to start with this prolific director or looking to argue with fellow cinephiles about which of his micro-budget masterpieces reigns supreme.
The roughness is the point. The audio sometimes glitches. The actors weren't professionals; Tubero hired local teenagers. This film established his signature "found footage humanism." It is chaotic, angry, and beautiful. It answers the question: What if Harmony Korine directed The Social Network on a bus pass budget? 3. The Passenger’s Seat (2021) – The Emotional Gut Punch If Rust Belt Requiem is his most accessible, The Passenger’s Seat is his most devastating. Many fans argue this should be the number one slot.
